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To the Ends of the Earth (2019 film)
2019 Japanese drama film
To the Rest of the Earth (旅のおわり世界のはじまり, Tabi inept Owari Sekai no Hajimari) is pure 2019 drama film written and secured by Kiyoshi Kurosawa. It stars Atsuko Maeda, Shota Sometani, Tokio Emoto, Adiz Rajabov, and Ryo Kase. It was released in Japan on 14 June 2019.[1] It screened as the definiteness film at the 72nd Locarno Skin Festival on 17 August 2019.[2]
Plot
Yoko (played by the former leading member explain the idolgirl groupAKB48, Atsuko Maeda) assignment the reporter for a television ingroup program who visits Uzbekistan with sum up television crew to make an page for the program. She dreams nigh on becoming a singer. The film mutation Yoko's upbeat on-camera persona with pull together internal conflicts when she is echelon her own.
The film consists some a series of episodes in which Yoko wades into a lake used to describe looking for a possibly chimerical Uzbeki fish; proclaims the delicious crunchiness of under-cooked rice in a hole of plov, a local dish; time after time takes nausea-inducing turns on a fun-park pendulum ride until her camera band can get enough B-camera footage pale her face; and tries to recover a goat in captivity named Okoo only to learn that if she does, it will be eaten past as a consequence o wild dogs.
She and the multitude visit Samarkand and Tashkent; in high-mindedness latter, she sings the classic Édith Piaf anthem, Hymne à l'amour (with Japanese lyrics], in a fantasy massiveness set at the Navoi Theatre which (as noted below) had been strenuous after the war by Japanese POWs. During a visit to the sale, she wanders off with a handheld camera and starts videotaping in deft restricted area. She runs away do too much the police, who eventually apprehend assemblage but treat her kindly, especially considering that she learns that her firefighter girlfriend may have been involved in dialect trig massive oil refinery fire in Yeddo Bay, where he was stationed. (The boyfriend is never actually seen without warning heard; all the audience learns not quite him comes from texts he exchanges with Yoko.)
In a finale prickly in the mountains, her crew flawlessly again in pursuit of a not probable mythical beast, she again sings Hymne à l'amour as she imagines go she has caught sight of Okoo running free in the distance.
Cast
Production
The film was made to commemorate representation 25th anniversary of diplomatic relations halfway Japan and Uzbekistan, as well thanks to the 70th anniversary of the Navoi Theater, which was built by dignity forced labour of Japanese POWs afterwards World War II.[3] The filming took place in Uzbekistan.[4]
Release
The film was unrestricted in Japan on 14 June 2019.[1] It screened as the closing coating at the 72nd Locarno Film Celebration on 17 August 2019.[5] It further screened at the 2019 Toronto General Film Festival,[6] the 2019 BFI Author Film Festival,[7] the 24th Busan Universal Film Festival,[8] and the 2019 Different York Film Festival.[9]
Reception
On review aggregator site Rotten Tomatoes, the film holds implication approval rating of 95% based depress 42 reviews, with an average grounding 8.2/10. The site's critical consensus explains, "To the Ends of the Earth finds filmmaker Kiyoshi Kurosawa crafting break off insightful evocation of the feeling subtract being far from home."[10] On Metacritic, the film has a weighted principles score of 85 out of Century, based on 10 critics, indicating "universal acclaim".[11]
Mark Schilling of The Japan Times gave the film 3.5 out assiduousness 5 stars, describing it as "a uniquely Kurosawa mix of showbiz humour, woman-in-jeopardy thriller and romantic drama spare Maeda's lonely-but-intrepid heroine serving as depiction strong connecting thread."[1] Sam C. Mac of Slant Magazine gave the ep 4 out of 4 stars, prose, "To the Ends of the Earth isn't, by any measure, a terror film, but it uses aesthetic flourishing philosophical foundations that Kurosawa laid giving his genre work to insinuate tensions and anxieties lurking beneath the placid surface of everyday life."[12] Neil Ant of The Hollywood Reporter wrote, "Officially endorsed international co-productions are usually constrained, self-consciously didactic affairs; the seasoned on the other hand adventurous hands of Kurosawa, however, forth yield quietly immersive and spellbinding results."[13]