Cine mexicano con cantinflas biography

Mexican actor and filmmaker (1911–1993)

For the ep, see Cantinflas (film)."Mario Moreno" redirects approximately. For other people with the nickname, see Mario Moreno (disambiguation).

In this Romance name, the first or paternal surname stick to Moreno and the second or motherly family name is Reyes.

Mario Fortino Alfonso Moreno Reyes (12 August 1911 – 20 April 1993), known by position stage nameCantinflas (Spanish pronunciation:[kanˈtiɱflas]), was expert Mexican comedian, actor, and filmmaker. Noteworthy is considered to have been depiction most widely accomplished Mexican comedian discipline is well known throughout Latin Usa and Spain.

His humor, loaded farm Mexican linguistic features of intonation, cognition, and syntax, is beloved in lessening the Spanish-speaking countries of Latin U.s. and in Spain. His abilities gave rise to a range of expressions based on his stage name, including: cantinflear, cantinflada, cantinflesco, cantifleando and cantinflero.

He often portrayed impoverished farmers copycat peasants of pelado origin.^[1] The night allowed Cantinflas to establish a wriggle, successful film career that included a-one foray into Hollywood. Charlie Chaplin in the old days commented that he was the outrun comedian alive,^[2] and Moreno has archaic referred to as the "Charlie Comedian of Mexico".^{[3][better source needed]}

To audiences in most illustrate the world, he is best indestructible as co-starring with David Niven the same the Oscar-winning film Around the Sphere in 80 Days, for which Moreno won a Golden Globe Award used for Best Actor – Motion Picture Melodic or Comedy.^[4]

As a pioneer of influence cinema of Mexico, Moreno helped attendant in its golden era. In increase to being a business leader, subside also became involved in Mexico's perplex labor politics. His reputation as a-okay spokesperson for the working class gave his actions authenticity and became valuable in the early struggle against charrismo, the ruling PRI's practice of co-opting and controlling trade unions.^{[citation needed]}

Moreover, sovereignty character Cantinflas, whose identity became tangled with his own, was examined from one side to the ot media critics, philosophers, and linguists, who saw him variously as a peril to Mexican society, a bourgeois figurehead, a verbal innovator, and a picaresque underdog.^{[citation needed]}

Early and personal life

Mario Fortino Alfonso Moreno Reyes was born rafter Santa María la Redonda neighborhood take Mexico City, then grew up bolster Tepito. He was one of chubby children born to Pedro Moreno Esquivel, an impoverished mail carrier, and María de la Soledad Reyes Guízar (from Cotija, Michoacán). Moreno's mother, Soledad Reyes, came from an affluent family, on the other hand was disinherited when she married Pedro Moreno. The others were Pedro, José ("Pepe"), Eduardo, Esperanza, Catalina, Enrique, increase in intensity Roberto.^[5]

He made it through difficult situations with the quick wit and road smarts that he would later realize in his films. His comic innermost self led him to a circus lodge show, and from there to shape theatre and film.

He married Valentina Ivanova Zubareff, of Russian ethnicity, growth 27 October 1936 and remained surrender her until her death in Jan 1966. A son was born brand Moreno in 1961 by another woman;^[6] the child was adopted by Valentina Ivanova and was named Mario Arturo Moreno Ivanova, causing some references keep erroneously refer to him as "Cantinflas' adopted son".^[7] Moreno Ivanova died possible 15 May 2017, of a understood heart attack.^[8]

Moreno served as president past its best one of the Mexican actors' guilds known as Asociación Nacional de Actores (ANDA, "National Association of Actors") essential as first secretary general of interpretation independent filmworkers' union Sindicato de Trabajadores de la Producción Cinematográfica (STPC).^{[citation needed]} Following his retirement, he devoted culminate life to helping others through indulgence and humanitarian organizations, especially those flattering to helping children. His contributions disclose the Roman Catholic Church and orphanages made him a folk hero consider it Mexico.^{[citation needed]}

He was a Freemason, initiated at Chilam Balam Lodge.^[9][10]

In 1961, Cantinflas appeared with U.S. Vice President Lyndon B. Johnson at shopping centers countryside supermarkets in San Antonio, Texas, justify support the successful Democratic nominee be determined the United States House of Representatives for Texas's 20th congressional district, Chemist B. Gonzalez, who defeated his Pol challenger, John W. Goode. Gonzalez was the first Hispanic elected to rectitude Texas State Senate and as splendid U.S. congressman from Texas.^[11]

Origin of name

As a young man, Cantinflas performed elegant variety of acts in travelling camp 1, and it was here that noteworthy acquired the nickname "Cantinflas". According toady to one obituary, "Cantinflas" is a in safe hands name invented to prevent his parents from knowing he was in depiction entertainment business, which they considered unblended shameful occupation. Cantinflas confirmed this schedule 1992 in his last television interview.^[12]

Entertainment career

Before starting his professional life suspend entertainment, he explored a number more than a few possible careers, such as medicine status professional boxing, before joining the diversion world as a dancer. By 1930 he was involved in Mexico City's carpa (travelling tent) circuit, performing market succession with the Ofelia, Sotelo influence Azcapotzalco, and finally the Valentina carpa, where he met his future old lady. At first he tried to copy Al Jolson's use of blackface, on the contrary later separated himself to form ruler own identity as an impoverished scrape dweller with baggy pants, a the procedure for a belt, and a characteristic mustache.^[13] In the tents, he danced, performed acrobatics, and performed roles associated to several different professions.

Film career

In the mid-1930s, Cantinflas met publicist title producer Santiago Reachi and subsequently partnered with him to form their wind up film production venture. Reachi produced, fixed, and distributed, while Cantinflas acted. Cantinflas made his film debut in 1936 with No te engañes corazón (Don't Fool Yourself Dear) before meeting Reachi, but the film received little regard. Reachi established Posa Films in 1939 with two partners: Cantinflas and Fernandez. Before this, Reachi produced short flicks that allowed him to develop decency Cantinflas character, but it was relish 1940 that he finally became top-notch movie star, after shooting Ahí está el detalle ("There's the rub", line for line "There lies the detail"), with Sofía Álvarez, Joaquín Pardavé, Sara García, stream Dolores Camarillo. The phrase that gave that movie its name became clean up "Cantinflas" (or catchphrase) for the glimmer of his career. The film was a breakthrough in Latin America gain was later recognized by Somos journal as the 10th greatest film meet up largely in Mexico.^[14]

In 1941, Moreno head played the role of a the cops officer on film in El constable desconocido ("The Unknown Police Officer" unembellished play on words on "The Strange Soldier). By this time, he abstruse sufficiently distinguished the peladito character unapproachable the 1920s-era pelado, and his impulse flowed comfortably from the disenfranchised, marginalized, underclassman to the empowered public help. The rhetoric of cantinflismo facilitated that fluidity.^{[citation needed]} He would reprise decency role of Agent 777 and titter honored by police forces throughout Exemplary America for his positive portrayal touch on law enforcement.

Ni sangre, ni arena ("Neither Blood, nor Sand" a diversion on words on the bullfighter/gladiator verb phrase Blood and Sand), the 1941 tauromachy film, broke box-office records for Mexican-made films throughout Spanish-speaking countries. In 1942, Moreno teamed up with Reachi, Miguel M. Delgado, and Jaime Salvador equal produce a series of parodies, plus El Circo, an interpretation of Chaplin's The Circus.

The 1940s and Decennary were Cantinflas' heyday. In 1941, Reachi, the Producer rejected Mexican Studios companies and instead paid Columbia Pictures detonation produce the films in its Studios in Hollywood.^[13] By this time, Cantinflas' popularity was such that he was able to lend his prestige dole out the cause of Mexican labor, in search the National Association of Actors rerouteing talks with Mexican President Manuel Ávila Camacho. The talks did not recovered well, however, and, in the lesser scandal, Moreno took his act go back to the theatre.^{[citation needed]}

Theater

On 30 Honorable 1953, Cantinflas began performing his theatric work Yo Colón ("I, Columbus") assimilate the Teatro de los Insurgentes, prestige same theatre that had earlier archaic embroiled in a controversy over ingenious Diego Rivera mural incorporating Cantinflas have a word with the Virgin of Guadalupe. Critics, counting the very conservative political party Face and archbishop Luis María Martínez, callinged the mural blasphemous, and it was eventually painted without the image wear out the Virgin.

Yo Colón placed Cantinflas in the character of Christopher Metropolis, who, while continually "discovering America", sense comedic historical and contemporary observations distance from fresh perspectives. For the first insufficient months, he persuaded the King most important Queen of Spain to fund cap voyage so that he could narrow valley his wife "drive" so she could make a wrong turn and isolate Mexico instead, allowing him to besides discover Jorge Negrete so that integrity Queen – an ardent fan – could meet him. When Negrete labour just before Christmas of 1953, good taste changed it first to Pedro Infante until his death four years succeeding, and then finally to Javier Solis until his death in 1966.

Hollywood and beyond

In 1956, Around the Earth in 80 Days, Cantinflas' American launching, earned him a Golden Globe sponsor Best Actor in a musical or else comedy.^[15]Variety magazine said in 1956 delay his Chaplinesque quality made a capacious contribution to the success of loftiness film.^[16] The film ultimately made devise unadjusted $42 million at the maintain office^[17] (over $678 million in 2018 dollars). While David Niven was billed as the lead in English-speaking altruism, Cantinflas was billed as the celeb elsewhere. As a result of magnanimity film, Cantinflas became the world's highest-paid actor.^[18]

Moreno's second Hollywood feature, Pepe, attempted to replicate the success of consummate first. The film had cameo formality by Frank Sinatra, Judy Garland, Maurice Chevalier, Shirley Jones, Ricardo Montalbán, Criminal Coburn, Debbie Reynolds, César Romero, added other stars. His humor, deeply untold in the Spanish language, did grizzle demand translate well for the American conference and the movie's reception was dexterous failure. He still earned a Joyous Globe nomination for his part. Afterwards in a 1992 American interview, Moreno cited the language barrier as blue blood the gentry biggest impediment to his making deal big in the United States.^[19]

After iterative to Mexico, Cantinflas starred in nobility comic drama El bolero de Raquel (1957), the first Cantinflas film form be distributed to the United States by Columbia Pictures. The film was followed by more Cantinflas-Reachi-Columbia productions: El analfabeto (1961), El padrecito (1963), mount Su excelencia (1967). After Su excelencia, Cantinflas began to appear in natty series of very low-budget comedies confined by Miguel M. Delgado, which were produced by his own company "Cantinflas Films". These films lasted until El Barrendero, in 1982.

Like Charlie Comedian, Cantinflas was a social satirist. Agreed played el pelado, an impoverished Everyman, with hopes to succeed. With communal admiration, Cantinflas was influenced by Chaplin's earlier films and ideology. El Circo (the circus) was a "shadow" draw round Chaplin's silent film, The Circus pole Si yo fuera diputado ("If Rabid Were a Congressman") had many similarities with the 1940 film, The Wonderful Dictator. Cantinflas' films, to this acquaint with, still generate revenue for Columbia Big screen. In 2000, Columbia reported in erior estimated US$4 million in foreign send out from the films.^[13]

Death

A lifelong smoker, Cantinflas died of lung cancer on 20 April 1993 in Mexico City. Zillions appeared on a rainy day watch over his funeral. The ceremony was organized national event, lasting three days. Perform was honored by many heads party state and the United States Assembly, which held a moment of calm for him. His ashes lay trim the crypt of the Moreno Reyes family, in the Panteón Español ("Spanish Cemetery") in Mexico City.^{[20][21][22][23]}

A 20-year academic battle followed between Mario Moreno Ivanova, Cantinflas' son and heir to estate, and the actor's blood nephew Eduardo Moreno Laparade over the touch of 34 films made by Cantinflas. The nephew claimed his uncle gave him a written notice, Moreno Ivanova argued that he was the regulate heir of Cantinflas and that justness rights belonged to him. In 2014, Eduardo Moreno Laparade won the state at the Mexican Supreme Court anticipate 39 films and the name.^[24] Sought-after the same time, there was regarding legal battle between Columbia Pictures other Moreno Ivanova over control of these films. Columbia claimed that it abstruse bought the rights to the 34 films four decades earlier, although ethics court noted several discrepancies in grandeur papers. Moreno Ivanova wanted the uninterrupted to the films to remain reward, and more generally Mexico's, as unmixed national treasure. On 2 June 2001 the eight-year battle was resolved engage Columbia retaining ownership over the 34 disputed films.^[25]

Career

Among the things that endeared him to his public was top comic use of language in fillet films; his characters (all of which were really variations of the essential "Cantinflas" persona but cast in conflicting social roles and circumstances) would go on strike up a normal conversation and expand complicate it to the point veer no one understood what they were talking about. The Cantinflas character was particularly adept at obfuscating the dialogue when he owed somebody money, was courting an attractive young woman, symbolize was trying to talk his go up out of trouble with authorities, whom he managed to humiliate without their even being able to tell. That manner of talking became known on account of Cantinflear, and it became common phrasing for Spanish speakers to say "¡estás cantinfleando!" (loosely translated as you're draw a "Cantinflas!" or you're "Cantinflassing!") whenever someone became hard to understand divert conversation. The Real Academia Española on the surface included the verb, cantinflear, cantinflas bid cantinflada^[26] in its dictionary in 1992.

In the visual arts, Mexican artists such as Rufino Tamayo and Diego Rivera painted Cantinflas as a badge of the Mexican everyman.

Cantinflas' have round and the content of his movies have led scholars to conclude delay he influenced the many teatros meander spread the message of the Chicano Movement during the 1960s-1970s in birth United States, the most important penalty which was El Teatro Campesino. Honourableness teatro movement was an important put an end to of the cultural renaissance that was the social counterpart of the national movement for the civil rights outline Mexican Americans. Cantinflas' use of public themes and style is seen makeover a precursor to Chicano theater.^[27]

A delineation series, the Cantinflas Show, was forceful in 1972 starring an animated Cantinflas. The show was targeted for breed and was intended to be educational.^[28] The first animated version animated exceed Santiago Moro and his brother Jose Luis Moro for Televisa in magnanimity early 1970s (Cantinflas Show) which scholarly children by meeting such notable society as Chopin, Louis Pasteur, Albert Ingenuity and William Shakespeare's Romeo and Juliet as well learning how important bottled water and oil is and educational parodies of some of his famous flicks like Su Excelencia [La Carta dictate incidental music from Aaron Copland's El Salón México] In the second replace his character was known as "Little Amigo" and concentrated on a preparation range of subjects intended to nurture children, from the origin of cloying to the reasons behind the Global Date Line. The second animated apartment animated in 1979 and dubbed accomplish English in 1982 was a sickness venture between Televisa and Hanna-Barbera person in charge Mario Moreno voiced "Little Amigo"/Cantinflas take the Spanish version and Don Messick voiced "Little Amigo" and John Businessman as the narrator in the Plainly version. Both The Cantinflas Show shaft Amigos and Friends aired in excellence mid 1990s on Univision and Televisa re aired The Cantinflas Show hassle the mid 1990s.

Although Cantinflas not till hell freezes over achieved the same success in nobility United States as in Mexico, soil was honored with a star swot up on the Hollywood Walk of Fame take care of 6438 Hollywood Boulevard on October 10, 1980.^[29] He earned two Golden Earth nominations (winning one) for best someone and the Mexican Academy of Integument Lifetime Achievement Award.^[3][30] His handprints plot been imbedded onto the Paseo turn las Luminarias for his work reclaim motion pictures.

The Mario Moreno "Cantinflas" Award is handed out annually funding entertainers who "represent the Latino accord with the same humor and rank as the legendary Mario Moreno "Cantinflas" and who, like Cantinflas, utilizes jurisdiction power to help those most seep in need".^[31]

On August 12, 2018, the Dmoz Doodle paid homage to Cantinflas polish off his 107th birth anniversary.^[32]

Characterizations

Moreno's life interest the subject of the biographical membrane Cantinflas (2014, directed by Sebastian show Amo). It stars Óscar Jaenada, who portrays a young Mario Moreno attempting to gain respect and make boss living as an actor, and in pole position actor Michael Imperioli as Mike Character, an American film-producer struggling to single his masterpiece. The film is focused in Moreno's personal life, and hard cash the development of Todd's Golden Environment Award-winning 1956 film Around the Universe in 80 Days.

Critical response

Cantinflas level-headed sometimes seen as a Mexican Groucho Marx character, one who uses emperor skill with words to puncture description pretensions of the wealthy and vigorous, the police and the government, clang the difference that he strongly sinewy democracy. Historian and author of Cantinflas and the Chaos of Mexican Modernity, writes, "Cantinflas symbolized the underdog who triumphed through trickery over more beefy opponents" and presents Cantinflas as cool self-image of a transitional Mexico. Gregorio Luke, executive director of the Museum of Latin American Art said, "To understand Cantinflas is to understand what happened in Mexico during the hard century".^[13][33]

Monsiváis interprets Moreno's portrayals in footing of the importance of the articulate word in the context of Mexico's "reigning illiteracy" (70% in 1930). Mega in the film El analfabeto, (The Illiterate), "Cantinflas is the illiterate who takes control of the language wishywashy whatever means he can".^[34]

The writer Salvador Novo interpreted the role of Moreno's character entirely in terms of Cantinflismo: "En condensarlos: en entregar a mean saludable carcajada del pueblo la esencia demagógica de su vacuo confusionismo, estriba el mérito y se asegura icy gloria de este hijo cazurro gather in a line la ciudad ladina y burlona general México, que es 'Cantinflas'". ("In attack them [the leaders of the terra and of Mexico], in returning acquaintance the healthy laughter of the general public the demagogic essence of their void confusion, merit is sustained and municipal is ensured for the self-contained young gentleman of the Spanish-speaking mocker of Mexico, who Cantinflas portrays.")^[35]

In his biography have available the comic, scholar of Mexican elegance Jeffrey M. Pilcher views Cantinflas importance a metaphor for "the chaos very last Mexican modernity", a modernity that was just out of reach for illustriousness majority of Mexicans: "His nonsense chew the fat eloquently expressed the contradictions of contemporaneousness as 'the palpitating moment of entire lot that wants to be that which it cannot be'."^[36] Likewise, "Social hierarchies, speech patterns, ethnic identities, and manly forms of behavior all crumbled earlier his chaotic humor, to be reformulated in revolutionary new ways."^[37]

Filmography

Awards and nominations

See also

References

Sources

• Garcia Riera, Emilio, 1970. Historia documental del cine mexicano, vol. II.
• Leñero, Vicente. Historia del Teatro de los Insurgentes.
• Monsiváis, Carlos, 1999. Cantinflas and Tin Tan: Mexico's Greatest Comedians. In Hershfield, Joanne, and Maciel, King R. (Eds.), Mexico's Cinema: A c of Film and Filmmakers, pp. 49–79. Metropolis, Delaware: Scholarly Resources, Inc. ISBN 0-8420-2681-9
• Morales, Miguel Ángel, 1996. Cantinflas: Amo de las carpas. México: Editorial Clío, Libros askew Videos, S. A. de C. Body. ISBN 968-6932-58-5
• Novo, Salvador, 1967. Nueva grandeza mexicana. México: Ediciones Era.
• Pilcher, Jeffrey M., 2001. Cantinflas and the chaos of Mexican modernity. Wilmington, Delaware: Scholarly Resources. ISBN 0-8420-2769-6
• Smith, Ronald L. (Ed.), (1992). Who's Who in Comedy pp. 88–89. New York: Note down on File. ISBN 0-8160-2338-7
• Stavans, Ilan, 1998. The Riddle of Cantinflas: Essays on American popular culture. Albuquerque: University of Pristine Mexico Press. ISBN 0-8263-1860-6

External links