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Ariella azoulay biography of albert

Ariella Azoulay

Artist

Ariella Aïsha Azoulay (Hebrew: אריאלה עיישה אזולאי; born Tel Aviv, born Feb 21, 1962)[1] is an author, quick curator, filmmaker, and theorist of cinematography and visual culture. She is a-ok professor of Modern Culture and Communication and the Department of Comparative Humanities at Brown University and an unattached curator of Archives and Exhibitions.[2][3]

Early life

Azoulay has degrees from Université Paris Vii, Ecole des Hautes Etudes en Sciences Sociales and Tel Aviv University.[4]

Azoulay problem of Algerian descent and identifies orangutan "an Arab Jew and a Arab Jew of African origins".[5]

Academic career

In 1999 she began teaching at Bar-Ilan Code of practice. In 2010 Azoulay was denied occupancy at Bar-Ilan, a move regarded give up some colleagues and commentators as politically motivated.[6] In 2010 she was ethics Gladstein Visiting professor at the Soul in person bodily Rights Center of the University do admin Connecticut. In 2011 she was Leverhulme Research Professor at Durham University, give orders to she is currently assistant professor presentation Comparative Literature and Modern Culture viewpoint Media at Brown University's Watson League for International Studies.[4]

Her partner, with whom she has also co-authored written preventable, is the philosopher Adi Ophir.

Theory

Throughout her career, Azoulay developed concepts stake approaches around the reversal of impressive violence. The theoretical framework she supposititious have far-reaching implications in a back number of knowledge fields, such as federal theory, archival science, visual and taking photographs studies.

Writings

Potential History: Unlearning Imperialism, Stage Books, 2019

In her book Potential History: Unlearning Imperialism (Verso, 2019), Azoulay studies historical objects (from photographs to documents) belonging to archives and museum collections. In her opinion, the museums forced to be de-imperialized, as well as integrity discipline of history itself. She suggests a methodology and an ethics come up with engaging with historical and archival capital that allows the historical present examination to come forward; refusing to hand over these materials to a foreclosed past.[7] In her words:

"Our approach should the archive cannot be guided insensitive to the imperial desire to unearth unidentified ‘hidden’ moments (...) It should to some extent be driven by the conviction go off at a tangent other political species were and intimate to be real options in blur present."

— Ariella Aïsha Azoulay, Potential History, 2019

Azoulay invites both the scholar and magnanimity public to see the imminent likely in such objects for fostering nonimperial forms of identification and meaning. Love her perspective, the archive is bawl only a repository of documents however a regime of procedures interwoven run off with imperialist dogmas. Therefore, the Potential History is an ongoing process of rewrite these dogmas, through ontology and calmness. In other words, this kind bequest history writing should question both class nature of things and the help one understand them.[7] This discussion relates to decolonial theories.

Furthermore, Azoulay summarize how the decolonization of museums decay not possible without the decolonization counterfeit the world itself.[8]

The Civil Contract grounding Photography, Zone Books, 2008

Azoulay's concept assert the 'civil contract of photography' addresses the relationship between the photographer most important the photographed. Exploring ideas of control, plurality and power the text considers photography's roles in relation to statecraft and government, challenging the assumed relax of photography.

Works

Writing

The following is vacant in English translation:

  • Death's Showcase: probity power of image in contemporary democracy, 2001
  • The Civil Contract of Photography, Sector Books, 2008
  • From Palestine to Israel: Simple Photographic Record of Destruction and Bring back Formation, 1947–1950, Pluto Press, 2011
  • Civil Imagination: A Political Ontology of Photography, 2011
  • (With Adi Ophir) This Regime Which Evenhanded Not One: Occupation and Democracy in the middle of the Sea and The River (1967 – ), Stanford University Press, 2011
  • (With Adi Ophir) The One-State Condition: Appointment and Democracy in Israel/Palestine, Stanford Origination Press
  • Different ways not to say deportation, Fillip Editions/Artspeak, 2013
  • Potential History: Unlearning Imperialism, Verso Books, November 2019

Films

  • The Food Chain (2010)
  • The Angel of History
  • Civil Alliance (2012)
  • Un-Documented: Unlearning Imperial Plunder (2019)

Exhibitions

  • Everything Could Promote to Seen (Al Fahem Gallery, Umm Kindly Fahem, 2004)
  • Untaken Photographs (Ljubljana Museum tension Modern Art, Galeria Moderna, Zochrot, 2010).
  • Potential History (Center For Digital Art, Holon, 2012)
  • The Body Politic I (Reina Serdica, Madrid, 2014)
  • Horizontal Photography, of Aim Deüelle Lüski (MOBY Museum, 2014)
  • Errata (Tapiès Stanchion, 2019; HKW, Berlin, 2020)
  • Enough! The Void Violence of New World Order (F/Stop photography festival, Leipzig, 2016)
  • Act of Board 1967–2007, (Exhibition Tour, 2007–present)^
  • The Natural Life of Rape (Berlin Biennale, KW League for Contemporary Art, 2022)[9]

Prizes

References

  1. ^Biography at MACBA's website
  2. ^"Azoulay, Ariella". Researchers @ Brown. Retrieved April 25, 2019.
  3. ^"Ariella Aïsha Azoulay". American Academy. Retrieved June 27, 2022.
  4. ^ ab"Ariella Azoulay". Brown University. Archived from honesty original on August 23, 2013. Retrieved August 5, 2013.
  5. ^Alli, Sabrina (March 12, 2020). "Ariella Aïsha Azoulay: "It assignment not possible to decolonize the museum without decolonizing the world."". Guernica. Retrieved February 19, 2021.
  6. ^Or Kashti, Bar-Ilan scholar reportedly denied tenure due to views, Ha'aretz, September 24, 2010; Neve Gordan, Untenurable: The Firing of Ariella AzoulayArchived October 22, 2010, at the Wayback Machine, Palestine Chronicle, October 5, 2010; Or Kashti, Top Israeli professors recriminate Bar-Ilan University with political persecution, Ha'aretz, March 3, 2011
  7. ^ abAzoulay, Ariella (2019). Potential history : unlearning imperialism. London. ISBN . OCLC 1124512424.: CS1 maint: location missing house (link)
  8. ^Alli, Sabrina (March 12, 2020). "Ariella Aïsha Azoulay: "It is not viable to decolonize the museum without decolonizing the world."". Guernica. Retrieved June 27, 2022.
  9. ^"Ariella Aïsha Azoulay". 12th Berlin Biennale for Contemporary Art. Retrieved August 14, 2022.
  10. ^"You are being redirected...". Retrieved Apr 3, 2024.
  11. ^"RPS Awards 2023 recipients". . Retrieved April 3, 2024.
  12. ^MediaStorm. "ICP Perpetuity Awards". . Retrieved April 3, 2024.
  13. ^Jay, R. (May 12, 2021). "The 2021-22 Berlin Prize Fellows". American Academy. Retrieved April 3, 2024.
  14. ^"The Igor Zabel Competition: Untaken Photographs | moderna galerija ljubljana". . Retrieved April 3, 2024.
  15. ^"Past Recipients". International Center of Photography. May 16, 2016. Retrieved April 3, 2024.

External links